其次从书画同源、绘画书法用笔、线条对笔墨的容纳性说明中国画线条在中国画中已成为精神灵魂的立居之所。

• secondly, from the calligraphy and painting together the source, painting with the methods of writing and the great Contention of the pen and ink , the I ine of China painting I ines had become the field of sp i r i t sou I I i v i ng i n .