This paper attempts to investigate how some late-Ming figure paintings represent women and their qualities and how these qualities of womanhood represent the culture of connoisseurship of that time.
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释义
本文主旨在于讨论晚明时期的人物画如何呈现女性,以及此种呈现涉及的女性性质、美感等议题的文化史脉络。
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