The existence of various schools and the multiple structure not only promote the Native Culture of Chinese Folk Art,but also show the marginality,inter-discipline and immaturity of Chinese Folk Art.
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流派的存在和多元格局既促进了中国民间文艺学的本土化发展,又显示了中国民间文艺学的边缘性、跨学科性和不成熟性。
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