The essay has studied three textbooks of solfeggio & ear training which have been employed by music major in higher normal universities since 1980.

• 纵观高师视唱练耳学科理论研究的现状,从视唱练耳教学法,教学改革等角度出发进行探讨的文章数量甚多,其中不乏真知灼见。