Lu Xun and Nietzsche, whose starting point of life aesthetics was the sense of going to doom, had much in agreements and also in conflicts on the idea of tragedy.

• 鲁迅尼采的悲剧观存在着深刻的契合与冲突，他们生命美学的起点是生存毁灭感，并在苦痛人生的悲歌中，共同表现出对生命之“动”的强烈眷注。