Concretely, this anti-aesthetic poetics teleology mainly displays three directions: opening to sexual instinct, disinterring to dead instinct, anxiety to existence and decadent appearing.

• 具体而言，这种审丑诗学目的论又主要表现为三种流向，即：对性本能的敞开、对死本能的发掘和对存在的焦虑、颓废的显现。