And in its highest moments, the incarnation of a totality that is plenitude and emptiness, the transfiguration of the body into form that, without abandoning sensation and the flesh, is spiritual.

• 一方面，印度艺术是形式的重复，又崇尚概念至上，是这两股源流的汇聚；另一方面，它也追求完整与一致。